The connection between the Maison Margiel couture line and the seasonal collection continues to grow. John Galliano follows the current trend and harmoniously mixes elements of these two directions. He also shows that he has a sense of humor, which the founder of the brand undoubtedly appreciated. Gender revolution is also attached to the new collection.
1/32
-
Image Maison Margiela. Spring-summer, 2016
-
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image -
Image
This season, John Galliano is theatrical. He chooses dresses and coats from the 1950s, shortens them a little and enlivens them with prints. The drawings, by the way, are mostly Julian. Just imagine that the woman got up from the bench, which turned out to be freshly painted. Galliano is looking for kraosta in the most unexpected places, which is in many ways close to the aesthetics of Maison Margiela. Therefore, the designer creates dresses from fragments of mirrors, which he mixes with floral prints on brocade.
However, in the second half of the show, John shows that he can do more than just play with fashion. This is where stricter forms appear. The East and traditional geisha culture serve as a source of inspiration. Galliano's historical costumes are more structured than the original silk kimonos.